If you are into anime that has a knight theme, you are in the right place. Here is a list of the best knight anime that I have watched over the years and I highly recommend some of them. Keep in mind that the list is in no particular order.
Best Knight Anime List [Recommended For You]
Gate: Jieitai Kanochi nite, Kaku Tatakaeri
GATE is an anime series that explores the clash between modernized humans and a fantasy world. The story revolves around a gate that connects the two worlds, and at the center of it all is Youji Itami, a soldier who is also an otaku. He becomes fascinated with the fantasy world beyond the gate and gets involved in diplomatic relationships between the two sides.
The series blends elements of fiction and reality, with the fantasy world introducing creatures like elves, dragons, and demi-gods, while the Japan Self-Defense Forces represent the reality with their advanced technology and military prowess. The initial conflict, known as the “Ginza Incident,” sets the stage for a potential war, but the story delves into cultural, political, and military themes as both sides seek to establish peace and understanding.
GATE features a diverse cast of characters, including humans and non-humans from both worlds. The main core consists of three girls: Tuka Luna Mareau, an elf; Lelei La Rellena, a human from the fantasy world; and Rory Mercury, a demi-goddess. These characters bring different perspectives and adapt to the real world with its technology and politics. The human characters, including Itami, are mature and capable, with Itami’s military experience and otaku interests adding depth to his character.
The fantasy world in GATE is well-crafted, with different regions and a variety of creatures that establish its legitimacy. The political affairs within the story add complexity, as not everyone is in favor of the diplomatic relations between the two worlds. The show explores conflicting ideologies and displays a degree of nationalism, primarily focused on Japan but with other countries pursuing their own interests.
While GATE is not solely focused on the military, it showcases the Japan Self-Defense Forces’ realistic arsenal of weapons and the professionalism of the soldiers. The battles are well-animated, and the series effectively demonstrates the JSDF’s firepower and capabilities.
A-1 Pictures successfully captures the art style of the series, with distinctive character designs for both the real and fantasy worlds. The world-building and epic battles enhance the overall experience. The soundtrack matches the intense atmosphere of the action and features sharp dialogues that define the characters’ personalities.
GATE is a unique anime that blurs the lines between fiction and reality, offering a wealth of interests for viewers. It may particularly appeal to those interested in political or military affairs, as well as action enthusiasts. The colorful range of characters and the potential for further exploration make the series engaging, and while it may not suit everyone’s tastes, it has the potential to captivate a wide audience.
Claymore
Claymore is an action-packed fantasy anime set in a medieval world. The story primarily follows Clare, a Claymore—a powerful female warrior (aka knight with a big sword) —as she travels from town to town, hunting down monstrous creatures called Yoma. Accompanying her is Raki, a young boy who becomes her companion.
The plot of Claymore is easy to follow. The Claymores are tasked with eliminating Yoma, and as the story progresses, the Yoma become increasingly challenging opponents. Clare’s character development is a highlight of the series, as her past and present selves are explored in depth, leading to evolving perceptions of her.
However, some of the other main characters receive less development, though they still contribute positively to the overall story. Raki, in particular, can be seen as an annoying character with limited impact on the plot. As the narrative progresses, it veers away from the initial Yoma-slaying focus and delves into more intricate and captivating storylines, accompanied by epic battles.
The fight sequences in Claymore are superb, aided by the high-quality animation by Madhouse, the same studio behind “Death Note.” Attention to detail is evident throughout, with impressive lighting effects, detailed backgrounds, and realistic character designs. The animation shines, even during the intense and gory fight scenes, although at times, shortcuts are taken that diminish the impact, such as the use of speed lines for fast attacks reminiscent of Dragon Ball Z.
The music in Claymore is fantastic, featuring a magnificent orchestral score combined with bass-heavy and rocking tunes. It sets the perfect atmosphere for both dramatic and action-packed moments. However, there are instances, particularly during fights, where the music can become somewhat chaotic.
Overall, Claymore manages to bring something fresh to the saturated shounen anime genre. It stays faithful to the manga’s storyline, although the pacing is notably fast. This results in every episode being significant, without wasting time on unnecessary flashbacks, training episodes, or drawn-out deaths. It is unfortunate that the anime deviates slightly from the manga towards the end, which might disappoint manga fans and decreases the likelihood of a continuation.
Read also: Best Witch Anime Recommendations
Chivalry of a Failed Knight (Rakudai Kishi no Cavalry)
Rakudai Kishi no Cavalry is an anime that defies expectations and stands out from other light novel adaptations set in magic high schools. The story initially seems familiar—a protagonist named Ikki, known as “the worst one,” meets Stella, a tsundere princess from another country. However, the way their relationship develops and the refreshing approach to well-known tropes sets Rakudai apart.
One of the standout aspects of Rakudai is that it is not a harem show. While there may be initial hints at a harem setup, the story quickly focuses on the development of the main characters’ relationship. The romance is sweet and adds depth to the anime. Although more female characters are introduced, Ikki’s love interests remain limited, with the exception of his little sister. However, even this aspect is handled well and should not be off-putting to those who typically dislike such characters.
The characters in Rakudai are likable and enjoyable to watch. While they may not be entirely unique, they still bring fun and entertainment to the series. The opponents in the battles are also more interesting than what is typically found in light novel adaptations.
As a “sword action” anime about magic knights, Rakudai delivers well-executed battles. The fight scenes are detailed, exciting, and animated smoothly. The art in the series is impressive, with attention to detail and rarely any noticeable deformations in the background. The animation style varies at times, which adds further visual interest.
Fanservice is present in Rakudai, but it is of notably higher quality compared to most shows of this kind. The series dares to go where others hesitate, and the great art enhances the experience. While the fanservice may not be excessive, it is well-executed and primarily focuses on the beautiful Stella, who is not only visually appealing but also displays sweetness, support, and seductiveness.
The soundtrack in Rakudai is solid, with the opening song being particularly catchy and enjoyable. The ending song by Ali Project, a beloved artist, adds to the overall experience. Even though the soundtrack may not stand out, it does not disappoint.
Rakudai Kishi no Cavalry is a well-done anime that manages to feel fresh and stand out, despite some generic elements. It offers good action, detailed animation, a touch of romance, high-quality fanservice, and a bit of originality. The effort put into the series is apparent, making it highly enjoyable for fans of this genre. While the beginning may be slightly average, the anime gets better with time, and the later episodes are particularly captivating.
Overall, Rakudai Kishi no Cavalry is a fun and satisfying anime. It delivers on various aspects that fans of this genre appreciate, earning it a solid recommendation. It deserves praise for its handling of fights, art, fanservice, and the overall effort put into the show.
The Seven Deadly Sins (Nanatsu no Taizai)
Shounen anime can often prioritize showcasing powers and techniques over a compelling plot, but Nanatsu no Taizai manages to overcome this common pitfall and deliver an enjoyable experience. While it does follow the basic shounen formula, the show takes the time to develop its rough edges and make them likable and engaging.
The pacing of the story is excellent, balancing battles with gradual character introductions and plot advancement. Each segment allows the viewer to become acquainted with the Deadly Sins, discovering more about them beyond their fighting styles.
The motivations of both the protagonists and antagonists are clearly presented, and it’s particularly satisfying to see well-developed motivations for the antagonists, which is often lacking in other series. Towards the end, elements from both sides converge for a satisfying conclusion, as everyone’s goals align into a single objective. This solidifies the relationships between the two factions.
It’s commendable that the series knows when to tone down the fan service in order to focus on completing the story. The shift in focus allows the plot to take precedence over humorous moments involving the female lead. However, the show doesn’t abandon lightheartedness entirely and gives each character their moment in the spotlight.
The series provides equality among its characters, not solely focusing on the main Sin, Meliodas. Attention is given to the feelings and relationships between the other Sins, and their pasts are explained without disconnecting from the main plot. While it may sometimes feel cliché, the show successfully makes the audience care about the cast.
The art and sound of Nanatsu no Taizai are strong aspects that support the overall experience. The voice actors are well-suited for their respective characters, effectively conveying emotions within the story. The color choices are vibrant, and the animation is skillfully executed, demonstrating the proficiency of the team behind it.
Overall, Nanatsu no Taizai stands out for a reason beyond mindless moe or excessive displays of power. It earns its popularity by going beyond the basics of shounen anime.
Overlord
Overlord is a highly enjoyable anime and one of the best of the season, particularly for those who appreciate an overpowered main character engaged in epic battles.
The story revolves around a protagonist whose name is not explicitly mentioned. He is the sole remaining player in the online game YGGDRASIL and goes by the names Momonga and later Ainz Ooal Gown. As an undead Necromancer, he serves as the guildmaster of the powerful guild Great Tomb of Nazarick. Despite the other members having left the game long ago, they have entrusted him with their belongings and the personal created NPCs, who act as guardians of the guild hall known as the Tomb.
While the story takes some time to develop, it gradually becomes interesting. It begins with Momonga being unable to log off on the day the game is set to shut down, leading to his entrapment in the virtual world. The plot then focuses on managing the guild, assisting the NPCs, and uncovering the reasons behind his predicament, including the possibility of others experiencing the same situation.
However, the characters are the weakest aspect of the show, likely due to the limited 13-episode format. Besides the protagonist, there are characters like Shalltear, a vampire with a questionable design for her vampire form, and Albedo, a demon girl with a strong preference for the protagonist. Unfortunately, the remaining characters receive minimal development, and their impact on the story is negligible, with the exception of Narberal, a battle maid.
However, there are more seasons and you get to watch the rest.
Sword Art Online: Alicization
The new season of SAO, titled “Sword Art Online: Alicization,” presents a different setting and explores mature themes related to ethics, humanity, and scientific experimentation. The story follows Kirito and his new friend Eugeo as they embark on a journey in a medieval world. While the season starts slow with a focus on world-building, it eventually connects to plot points from previous seasons, making it important to have watched them to fully grasp the current season.
Eugeo takes the spotlight in this season, with Kirito playing a supporting role. Eugeo’s character development and changing opinions about himself, others, and the society he inhabits drive the story. Alice has a lesser role in the beginning but becomes more significant in the later parts of the arc.
Unlike SAO’s previous seasons, the fights in this arc involve pain and blood, making the characters’ struggles more believable and engrossing. As the story progresses, it delves into darker and psychological themes. Kirito is not overpowered in this arc and must work his way up as a swordsman.
The overall story is well-planned, with answers to early questions gradually revealed as the plot unfolds. While new characters are introduced and influence the main characters, side characters receive less development and disappear for a long time, creating a gap in their presence.
The villain in this season is an ambitious character capable of manipulation, whose transformation into a dangerous entity is the result of an accident. While there have been better villains in anime history, this character is arguably the best villain SAO has presented, with moral ambiguity.
There are some criticisms to note. Some episodes have excessive dialogue and exposition, which may disappoint those seeking action-packed scenes. The pseudo-science explanation for the premise may not appeal to everyone. The tower climbing arc is poorly adapted, with the Integrity knights reduced to mere “villains of the week,” and the cliffhangers feel forced and unnecessary.
The animation of the anime is visually stunning, but the action sequences sometimes focus too much on one character, making it challenging to follow the fights. The soundtrack is underwhelming compared to previous seasons, with repetitive use of old music and only a few memorable tracks.
The adaptation of the source material is below average, rushed, and cuts out significant inner monologues that provide understanding of character relations and motivations. Despite these flaws, the story remains comprehensible with some thought.
If you enjoyed the previous seasons of SAO, this season is a must-watch. Even if you felt the previous seasons wasted their potential, this season explores different themes in more detail.
Fate/Stay Night (F/SN)
Fate Stay Night is a seinen anime that revolves around a magical war between seven magi and their powerful servant counterparts, who are legendary heroes from different mythologies.
The story may lack in fully exploring the background and motivations of all the heroic servants, but it can be supplemented through external sources like Wikipedia. By the end, the message of the story becomes clear, even if the ending itself may be somewhat tragic. Despite feeling a bit of depression due to the ending, you found the overall experience of watching F/SN enthralling and completed it relatively quickly.
The animation of the series suits the premise well. While the premise may resemble that of a shounen anime with magicians summoning warriors or knights, F/SN distinguishes itself by including elements of death and portraying the injuries and bloodshed of both servants and masters.
While there is some nudity depicted, it is not explicit and subject to personal opinion. The relationship between servants and masters is not the typical mindless or friendly dynamic seen in other anime; the servants only serve their masters due to their shared goal of winning the Holy Grail.
The music, predominantly j-pop/rock, was enjoyable, and the voice actors in the sub did a good job without feeling out of place. The character design, while not perfect, may have suffered from trying to condense a much larger story into a 24-episode series.
The sequels will also help with answering some of the other servant’s backgrounds.
Code Geass: Lelouch of the Rebellion
I must say that my initial skepticism towards Code Geass was completely overturned, and I was pleasantly surprised by the series.
The storytelling keeps the viewer engaged with its numerous twists and turns, maintaining excellent pacing without feeling rushed or dragged out. The progression leading up to the conclusion, although a cliffhanger, is particularly brilliant and satisfying.
What sets Code Geass apart is its ability to blend various genres. Yes, it is a mecha series, but it goes beyond that. The involvement of CLAMP in character design adds shoujo elements, while the series also incorporates shounen rivalries and epic battle scenes. It caters to a wide range of tastes. Moreover, the abundance of characters allows for intriguing subplots that directly relate to and impact the main storyline.
The execution of these subplots is well-thought-out, contributing to the overall enjoyment of the series. While the premise of a determined individual gaining a mysterious power to change the world may not be entirely unique, Code Geass manages to make it work effectively.
Furthermore, the series explores the “best friends turned enemies” plotline, which I personally find captivating.
Code Geass features a diverse cast of characters. Some are relatively plain and one-dimensional, while others possess a complexity that brings them to life. I must admit, I’ve become quite infatuated with Lelouch as a character (though my bias might influence this opinion). Lelouch feels very human, with his emotions, opinions, unique perspective, and significant flaws.
He is undoubtedly the most intricate character in the series, and despite his supernatural powers and genius-level intellect, he remains relatable and sympathetic. This ability to connect with the audience is the series’ greatest strength, allowing it to remain engaging and relevant even without groundbreaking plot ideas.
Suzaku comes as a close second in terms of complexity, although his sense of justice may initially appear cliché (alongside Nunnally’s and Euphemia’s). Accepting his physical prowess can be somewhat challenging, especially in contrast to Lelouch’s intellectual capabilities.
However, as the series progresses, Suzaku’s character unfolds, becoming an exceptional foil to his rival. The contrasting ideologies and philosophies between Lelouch and Suzaku are fascinating, and despite sounding cliché, they complement each other remarkably well.
The remaining characters often fall into typical archetypes, such as the adorable little sister, the mad scientist and his assistant, cheerful schoolgirls, best friends, loyal soldiers, and so on. Despite these generic descriptions, most of the characters are enjoyable or, at the very least, interesting. C.C. adds snarky commentary, Shirley embodies innocent schoolgirl love, and Nunnally’s character is incredibly moe.
Each character receives some backstory to distinguish them from the crowd, although it never becomes intrusive. The wide range of characters helps establish a believable world, complete with occasional appearances by an animal mascot.
Initially, I wasn’t impressed with CLAMP’s character designs (their noodle-like appearance), but over time, they grew on me, reminding me of the beauty in their work on X. CLAMP has a talent for making both male and female characters incredibly attractive. I particularly enjoyed the facial expressions in the series, especially Lelouch’s. His character displays a range of awesome crazy expressions,
deeply touching sad faces, and amusing WTF moments. The mecha designs for the Knightmare Frames are also impressive, incorporating roller blade elements and featuring some imaginative yet slightly over-the-top technologies. The animation is generally fluid and smooth, with very few noticeable flaws.
Initially, I wasn’t fond of most of the opening and ending themes of Code Geass, except for the first ending by ALI PROJECT, which I found awesome and fitting for the series. Yuki Kajiura’s style in the series, particularly the intense violin pieces, effectively conveys the grandeur of Britannia and the emotional intensity of the story. Although the other themes may seem lackluster in comparison, some, like FLOW’s “COLORS,” grew on me over time. The final insert song, “Innocent Days” by Hitomi, is thoughtful, poignant, and fitting. As for the background music, it mostly consists of generic battle buildup tracks and other suitable but typical themes. Nevertheless, there are some enjoyable classical and opera pieces, and the “All hail Britannia!” theme is undeniably awesome.
I have watched both the subbed and dubbed versions of Code Geass. While I initially found Johnny Yong Bosch’s portrayal of Lelouch off-putting, it eventually grew on me, and I now believe it fits well enough, although I wish he would differentiate his voice more when Lelouch becomes Zero (perhaps making it deeper).
The dub voice for Suzaku also surprised me with its appropriateness. However, one aspect I wish the English version could replicate is the subtle differences in mannerisms between characters, particularly Lelouch and Suzaku at different stages of their lives, as well as Lelouch and Zero. In the Japanese version, their pronouns change, offering interesting insights into their characters. It’s unfortunate that English lacks such nuances.
The remaining voices in the English dub are average or slightly below average, with a stereotypically high-pitched, annoying girly voice for Nunnally, and forgettable voices for most female characters (Milly, Shirley, and Kallen sound similar). Nonetheless, Lloyd’s dub voice impressed me, even if it will never compare to his amazing original voice. Jun Fukuyama’s voice for Lelouch initially felt too deep or mature, but it grew on me, and I particularly love the badassity of his voice for Zero. Suzaku’s original voice may sound generic at first, but it evolves with his character. The Japanese version also features amusing Engrish moments, such as the iconic “Yes, my lord(o)!” and “All hail Britannia!”
Overall, I consider the original Japanese version to be excellent, while the English dub is quite watchable, which is always a plus.
I truly adore this series, and I never expected that. Honestly, the first episode left me underwhelmed. The opening sequence and the excessive exposition turned me off initially. However, the second episode completely exceeded my expectations and won me over.
In all seriousness, Code Geass offers a good story, compelling characters, impressive animation, and fitting music. It combines mechas, politics, rivalries, friendships on the brink, love and hate, complex ideologies, and explosive action. You couldn’t ask for more!
Record Of Lodoss War (Lodoss-tou Senki)
Objectively speaking, this series has its flaws, often significant ones. However, it also has numerous high points that make it a compelling watch. Personally, I adore this series because its creators clearly poured their hearts into it, and that passion shines through.
Let’s address the flaws first. The story itself is strong, but its pacing is uneven, at times moving slowly and at other times rushing or skipping crucial moments. This lack of consistency extends to the characters as well, with some missing or poorly developed elements in their arcs and development.
The animation is another aspect to consider, where the love of the creators becomes evident. The visuals are stunning, with each frame exuding beauty. However, it’s worth noting that as the budget dwindled, the animation became less elaborate, relying on slow pans and limited movement.
Despite this, the quality doesn’t decline; it simply becomes less animated. The situation of running out of budget and cutting corners is not unique to Lodoss, but unlike other examples, the creators of Record of Lodoss War made calculated choices regarding where to cut corners and where not to compromise, in order to convey their desired story and transport viewers to this fantastical world. Objectively, it may be a drawback, but given the circumstances, the creators found the best possible solution, evident in the final product.
Despite its flaws, Record of Lodoss War possesses a timeless quality shared by the best works in the fantasy genre, if not all of media. It feels authentic and natural, even bordering on legendary. In an era where many works borrow from predecessors and end up feeling hollow or contrived, it’s remarkable to encounter a series like Record of Lodoss War, which draws inspiration from the foundations of the genre, such as the influential game Dungeons & Dragons, and stands alongside the great legends.
This sense of timelessness may stem from the creators’ genuine desire to tell this story well. Paradoxically, the flaws of the series may contribute to its charm. Few myths and legends are complete or self-contained; they often come to us in fragments and interpretations.
When Record of Lodoss War occasionally frays at the edges but does so gracefully, it invokes the spirit of those old tales that exist in misty fragments, adding to the emotional experience. Whether by design or accident, the technical weaknesses of the series may actually enhance its emotional impact.
Overall, still a recommended watch despite being an older anime.
Arslan Senki
The story of Arslan Senki is not groundbreaking, but it is far from bad. Given my expectations, especially after reading Romance of the 3 Kingdoms, I didn’t anticipate an exceptional story. Nonetheless, the story is good. However, I did feel that the pacing in episodes 17-23 could have been improved.
The art is very well done, and the animation, particularly in episode 24, is amazing. However, in other episodes, it ranges from good to subpar. The consistency in animation and art style is lacking, with occasional art style mishaps, although not to the extent of Toei Animation. That being said, if the anime consistently looked like the still pictures in the first outro, it would have been amazing. The use of CG didn’t bother me as it was not overly utilized.
There is nothing wrong in the sound department. The openings and endings are amazing, perfectly suited for the series. The voice actors (Japanese) deliver outstanding performances, and the sound effects during weapon clashes sound authentic and realistic.
The characters in Arslan Senki are well developed. With 25 episodes, the show does a good job of fleshing out the entire cast and making everyone in the protagonist’s group feel relevant. Daryun steals the show; he is an exceptional character and reminds me of Zhao Yun, even their names have similarities. In fact, Arslan reminds me of Liu Bei and Narsus of Zhuge Liang. Perhaps that’s why I like them so much, being a huge Romance of the Three Kingdoms fan. If these characters draw inspiration from those historical figures, it doesn’t bother me because I love them all.
My enjoyment of this season of Arslan Senki was a roller coaster ride. I must admit that I wasn’t eagerly waiting for each episode every Sunday, especially during episodes 17-23 when my interest hit an all-time low. I even had to put the show on hold and let episodes accumulate because watching only one episode per week during that period felt like a waste of time. However, episode 24 was amazing. Nevertheless, episodes 17-23 were the least enjoyable for me.
The Vision of Escaflowne (Tenkuu no Escaflowne)
Escaflowne, both as a manga and an anime, underwent significant development and production changes. The initial idea for the series was conceived by Shoji Kawamori and Minoru Takanashi, with the intention of creating a shonen series centered around a curvy, long-haired, air-headed girl named Hitomi.
The Escaflowne anime consists of 26 episodes, which is a result of the series being trimmed down from its originally planned 39 episodes. Despite this adjustment, the story and character development manage to wrap up coherently within the given length. The plot can feel overloaded with information at times, and some minor characters are occasionally forgotten and then reintroduced later. However, the story is still good, and all aspects of it are given equal attention.
The artwork of Escaflowne is considered impressive, with well-detailed character designs, mech designs, backgrounds, and overall aesthetics. Although the style may not have aged well, the quality of the art itself has stood the test of time. The use of CG in the series is noticeable but understandable.
The music in Escaflowne is spectacular, composed by Yoko Kanno. It features epic orchestral scores with beautiful string work and memorable choral arrangements. The opening theme, sung by Maaya Sakamoto (the voice of Hitomi), is a lovely ballad, while the ending theme is an upbeat J-pop number.
The voice acting in Escaflowne is top-notch, with notable performances from Maaya Sakamoto, Jouji Nakata, and Juurouta Kosugi, among others. The voices fit well with the characters, and the acting is solid.
With 26 episodes, Escaflowne can feel slightly rushed, and having the originally planned 39 episodes may have allowed for more breathing room. However, the series maintains a good balance between story progression, character development, and mech battles.
Overall, Escaflowne has a great story, well-developed characters, beautiful art and animation, excellent music, and strong voice acting. It does have a few flaws due to its compressed schedule and occasional forgetfulness of characters, but it remains a solid series. While not a personal favorite, it is definitely recommended for those looking for a good anime experience.
Berserk
As someone who had read over 300 chapters of the Berserk manga before watching the 25-episode anime adaptation, I was pleasantly surprised by how faithfully it captured the essence of the epic story.
The main elements that made the manga so exceptional were present in the animated version. Guts, the Black Swordsman, continued to be the vengeful protagonist in search of revenge and inner peace. The medieval world with its castles, commoners, and ongoing wars remained intact, providing a rich setting. Most importantly, the story maintained its tragic themes of fate, friendship, and love.
The animation style, although outdated by today’s standards, worked in favor of Berserk. It added a rough and rustic feel that suited the nature of the story, which takes place in a bygone era. The show’s impact might not have been the same if it had been produced in a more modern style, closer to the present day.
While I don’t usually pay much attention to the music in anime, Berserk’s musical score left a lasting impression. The ominous and chilling sounds perfectly complemented the horror scenes, enhancing their impact. The joyful tunes of festivals, elegant music during upper-class gatherings, and emotional pieces during tender moments all added depth and heightened the atmosphere.
I have focused on seemingly minor aspects of the anime because they contribute significantly to the overall experience. However, discussing the story and characters of Berserk in detail would require an extensive review of over 10,000 words. To keep it simple, imagine a story so captivating and layered that it leaves you breathless, a cast of characters so well-developed that you genuinely care for their well-being, and a high-fantasy medieval world so immersive that you can almost feel it enveloping you.
Nevertheless, as an adaptation of the manga, the anime cannot escape the shadow of its source material. As excellent as the anime is, it pales in comparison to the greatest manga ever made—Berserk. The anime comprises 25 episodes of normal length, while the manga spans over 300 chapters and continues.
It’s evident that the anime falls significantly short in terms of length and detail. While I didn’t meticulously count every missing scene or detail from the manga, it’s undeniable that the anime lacks numerous moments that helped understand the characters and enriched the story. The manga, with its text and black and white drawings, immersed me far more deeply than the anime ever could.
Despite this, Berserk deserves the title of “epic” in the history of anime. It is a must-watch for any fan of Japanese animation, standing alongside classics like Evangelion and Miyazaki’s works. It shines as the bloodiest gem among them, leaving a lasting impact.
What is Knight Anime?
The Knight Anime genre is a popular category in the world of anime that focuses on stories centered around knights, chivalry, and mostly medieval settings. It typically features brave and honorable warriors engaging in epic battles, quests, and adventures. This genre often incorporates elements of fantasy and mythology, transporting viewers to imaginative worlds filled with magic, mythical creatures, and grand castles.
In Knight Anime, the protagonists are often skilled warriors who uphold a code of honor and fight for justice. They are portrayed as noble and valiant figures, wielding impressive weapons and wearing armor that reflects their strength and status. These knights embark on quests to protect kingdoms, rescue princesses, and defend the innocent from evil forces.
The Knight Anime genre showcases intense action scenes, showcasing exceptional combat skills and their ability to overcome formidable foes. It also explores themes of loyalty, friendship, and sacrifice, as knights face personal struggles and make difficult choices in their journey.
This genre appeals to fans who enjoy epic adventures, storytelling, and visually stunning battles. It offers a blend of excitement, heroism, and fantasy, transporting viewers to a world of knights and honor. Knight Anime allows audiences to immerse themselves in a medieval realm filled with courage, chivalry, and the triumph of good over evil.
If you enjoyed our recommendations, be sure to check out our best slice of life anime list.
